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On this day, 21 April 1958, skiffle legend Lonnie Donegan played Cardiff’s Gaumont Theatre, the first of a week of shows, playing twice nightly. Also on the bill was Welsh comedian Ossie Morris, Paul and Peta Page, Ballet Montmartre, The Terry Sisters, The Carlo Sisters and Grif Kendall.
Review - South Wales Argus
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On this day, 26 February 1960, rock legends Gene Vincent and Eddie Cochran played Cardiff’s Gaumont theatre. Also on the bill was Vince Eager.
Review - Teenagers - Your Theatre Manners are Shocking
After going along to Cardiff's Gaumont Theatre last Friday night to see the Gene Vincent/Eddie Cochran show, I came away feeling disgusted at the way in which teenagers welcomed certain acts on the programme. Despite the fact that newcomer Tony Sheridan gave one of the best performances of the night singing When You Walk Through a Storm, impatient teenagers waiting for Gene Vincent, could think of nothing better to do than throw lighted cigarette ends at him during his act. The least they could have done was to give him a chance to prove his worth. After all they weren't bound to remain in their seats whilst Tony was appearing, as there is always plenty of room in the foyer of the theatre.
I'm pleased to say that those teenagers were in the minority, as this fast-moving "Beat Show" descended on Cardiff with a frenzied swoop, evoking screams galore from the majority of the 2,000 strong audience. The pity was that both these artists could scarcely be heard against the instrumental backing and the audience shouting.
Both Gene and Eddie were making their first visit to Wales and welcomed the opportunity of personally meeting some of their Welsh fans. Between shows they recorded special messages for transmission on the Hospitals Request Hour show. Interviewer was Vic Dawe, who has had the pleasant task of interviewing leading names in the world of entertainment visiting Cardiff over the past six months. Through Hallelujah! Eddie in tartan shirt and leather jeans built up to an earlier hit C'Mon Everybody and soon had the customers in the beat mood.
Twenty-one-year-old Gene Vincent on the other hand, is a more flamboyant showman, almost cuddling his microphone, kneeling and crawling on the stage and generally leaping about like some leather-clad spaceman from another planet. This rock'n'roller built up to a frantic finale before all the artists joined on stage for a frenzied rock session. It was a pity however, that Gene didn't have The Bluecaps (his original group from the States) to back him. The Wildcats didn't appear to be strong enough. Making a return visit to Cardiff with the show was handsome six-foot-plus Vince Eager, star of television's Oh Boy and Six-Five Special shows.
Also paying another visit to Cardiff were The Viscounts, a vigorous all-male singing act laced with good comedy. The threesome are surely heading for bill-topping status soon. One of the group Gordon Mills - hails from Cardiff.
On this day, 20 January 1960, American vocal group The Platters played Cardiff’s Gaumont Theatre. The tour package included Cuddly Dudley and Carl Barriteau and his band.
Formed in 1952. They are one of the most successful vocal groups of the early rock and roll era. Originally, their distinctive sound was a bridge between the pre-rock Tin Pan Alley tradition and the burgeoning new genre. The act has gone through several personnel changes, with one of the most successful incarnations comprising lead tenor Tony Williams, David Lynch, Paul Robi, Herb Reed, and Zola Taylor.
The group had 40 charting singles on the Billboard Hot 100 chart between 1955 and 1967, including four number-one hits. The Platters are one of the first African-American groups to be accepted as a major chart group and are one of the most successful vocal groups in the world.
As a group, The Platters began to have difficulties with the public after 1959, when the four male members were arrested in Cincinnati on drug and prostitution charges. Although no one was convicted, their professional reputation was seriously damaged and US radio stations started removing their records from playlists, forcing the group to rely more heavily on European bookings.
In 1960, lead vocalist Williams left to pursue a solo career and was replaced by tenor Sonny Turner. Mercury refused to issue further Platters releases without Williams on lead vocals, provoking a lawsuit between the label and manager Ram. As a result, the label spent two years releasing old Williams-era material until the group's contract lapsed.
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On this day, 8 December 1963, rock ‘n’ roll band Johnny Kidd and the Pirates played Cardiff’s Gaumont Theatre in a package that included headliners Billy J Kramer, The Caravelles, The Fourmost, Houston Wells, Tommy Quickly, The Marauders with Ted King as compère.
The promoter for the tour was Beatles manager Brian Epstein.
Kidd's most famous song as a composer was "Shakin' All Over", which was a No. 1 UK hit in 1960. Kidd's own version did not chart outside of Europe, but two cover versions did: The Guess Who topped the Canadian charts (and hit No. 22 US) with their 1965 version, and in Australia, Normie Rowe topped the charts with it later the same year.
"Shakin' All Over" marked the peak which Kidd would not reach again. Future records did not fare as well in the charts. In 1961, Cattini, Caddy and Gregg left the band and would later play for Joe Meek in The Tornados. Kidd now assembled a new band of Pirates. Johnny Spence was now added to bass, Frank Farley to drums and later Mick Green would become guitarist.
The band now toured extensively throughout England and into Europe. Adopting a more beat-influenced style, the group reached the No. 4 in the UK Singles Chart with "I'll Never Get Over You"; and split chart action with The Searchers with "Hungry for Love" (No. 20) in 1963; both songs were penned by Gordon Mills.
In time, a stage act had also emerged with Kidd and the Pirates dressed as actual pirates. Kidd donned an eye-patch and carried a cutlass which he would swing around on stage, and high kick in time with the music of the band. By 1964, the British Invasion was taking shape and Kidd was left in the shadows.
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On this day, 31 May 1960, American country music legend Conway Twitty played the Gaumont Theatre in a show that featured other American stars, Freddie Cannon (Way Down Yonder In New Orleans), Johnny Preston (Running Bear) plus Brits, Wee Willie Harris, known as "Britain's wild man of rock 'n' roll", Chris Wayne and the Echoes and Tony Crombie. The compère was Don Arden, father of Sharon Osbourne.
Twitty was best known as a country music performer. From 1971 to 1976, Twitty received a string of Country Music Association awards for duets with Loretta Lynn. He was inducted into both the Country Music and Rockabilly Halls of Fame.
Twitty was known for his frequent use of romantic and sentimental themes in his songs. Due to his following being compared to a religious revival, comedian Jerry Clower nicknamed Twitty "The High Priest of Country Music", the eventual title of his 33rd studio album. Twitty achieved stardom with hit songs like "Hello Darlin'", "You've Never Been This Far Before" and "Linda on My Mind".
Twitty topped Billboard's Hot Country Songs chart 40 times in his career, a record that stood for two decades until it was surpassed by George Strait, and topped the Billboard Hot 100 chart once with "It's Only Make Believe". He wrote eleven of his Billboard Hot Country Songs chart-topping hits.
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On this day, 13 May 1957, original British rocker Tommy Steele & The Steelmen played the first of a week of concerts at Cardiff’s Gaumont Theatre. Also included on the bill were Freddie Bell & The Bellboys, Paul & Peta Page (The puppeteers) and The Trio Raisner (Sensational French harmonica group). It was described as "Britain's First Ever Package Show" like the American Style Package Shows.
Steele's first single, "Rock with the Caveman", was one of the first British rock and roll hits, reaching number 13 on the UK Singles Chart in November 1956. He promoted the single with his first television appearance, on bandleader Jack Payne's BBC series Off the Record, and quickly became a national teen idol.
Steele's success saw him dubbed "Britain's Elvis", though his appeal has been characterised as less provocative than Presley's. A 1957 concert review by Trevor Philpott of Picture Post described Steele's act as possessing "not a trace of sex, real or implied", whilst Stephen Glynn has written that Steele's voice "was genial before threatening, his stage demeanour more playground skip than bedroom thrust".
Steele's live performances were marked by frenzy from the teenage audience. His first album, Tommy Steele Stage Show, was recorded at a London concert the night before his twentieth birthday and issued in March 1957.
"Doomsday Rock", Steele's second single, failed to chart after its apocalyptic theme drew controversy. His third, "Singing the Blues", reached number 1 in January 1957, staving off a recording by Guy Mitchell for one week.
Steele was among the first British pop stars to be heavily merchandised, with tie-in sweaters, shoes and toy guitars. Only a few months after his first chart presence, the singer was filming his life story; The Tommy Steele Story (1957) featured twelve new songs, written hastily by Steele, Bart and Pratt, that expanded the singer's repertoire to incorporate ballads and calypso music.
The film's soundtrack was the first UK number one album by a British act, and the hit single "A Handful of Songs" received the 1958 Ivor Novello Award for Most Outstanding Song of the Year, Musically and Lyrically. By the end of 1957, Steele had bought a four-bedroomed house in South London for his parents and was reported to be earning more than British Prime Minister Harold Macmillan.
REVIEW - Western Mail - 12th May 1957
