On this day, 9 September 1975, German pioneering electronic band Kraftwerk played Cardiff’s Capitol Theatre.

Kraftwerk (German pronunciation: [ˈkʁaftvɛɐ̯k], lit. "power plant") were formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre.

The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet.

The year 1975 saw a turning point in Kraftwerk's live shows. With financial support from Phonogram Inc., in the US, they were able to undertake a tour to promote the Autobahn album, a tour which took them to the US, Canada and the UK for the first time.

The tour also saw a new, stable, live line-up in the form of a quartet. Hütter and Schneider continued playing keyboard synthesizers such as the Minimoog and ARP Odyssey, with Schneider's use of flute diminishing. The two men started singing live for the first time, and Schneider processing his voice with a vocoder live. Wolfgang Flür and new recruit Karl Bartos performed on home-made electronic percussion instruments. Bartos also used a Deagan vibraphone on stage. The Hütter-Schneider-Bartos-Flür formation remained in place until the late 1980s and is now regarded as the classic live line-up of Kraftwerk. Emil Schult generally fulfilled the role of tour manager.

After the 1975 Autobahn tour, Kraftwerk began work on a follow-up album, Radio-Activity (German title: Radio-Aktivität). After further investment in new equipment, the Kling Klang Studio became a fully working recording studio.

The group used the central theme in radio communication, which had become enhanced on their last tour of the United States. With Emil Schult working on artwork and lyrics, Kraftwerk began to compose music for the new record.

Even though Radio-Activity was less commercially successful than Autobahn in the UK and United States, the album served to open up the European market for Kraftwerk, earning them a gold disc in France. Kraftwerk made videos and performed several European live dates to promote the album. With the release of Autobahn and Radio-Activity, Kraftwerk left behind avant-garde experimentation and moved towards the electronic pop tunes for which they are best known.

On This Day 08/09/1992 The Frank & Walters

On this day, 8 September 1992, Irish alternative rock band The Frank & Walters played Cardiff University with support provided by Radiohead. The tour was in support of their debut album Trains, Boats and Planes which peaked at #36 in the UK album charts.

The band was founded in 1989 and named in honour of two eccentric Cork characters.

Signing for the Setanta label in 1991, the group debuted with the release EP1, and the lead track "Fashion Crisis Hits New York" became an indie hit.

The follow-up EP EP.2 was released soon after, which was followed by the band's signing to the Go! Discs label, where The Frank and Walters partnered with producer Edwyn Collins to record the Happy Busman EP.

They found success in the UK, and, following a tour in support of Carter USM, an Ian Broudie radio edit of the LP song "After All" reached the Top 20 in the UK Singles Chart, peaking at No. 11. It reached No. 5 in the Irish chart. The group appeared on BBC Television's Top of the Pops supporting the single.

On This Day 07/09/1980 Rory Gallagher

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On this day, 7 September 1980, Irish musician, singer, and songwriter Rory Gallagher played Cardiff’s Top Rank.

He was about to release his eleventh album Stage Stuck later in the month. It documents his world tour in support of his 1979 album Top Priority. Accordingly, it features many songs from that album, but it also includes songs from his previous albums.

The album sees Gallagher taking a faster-paced, more hard rock sound than on his previous blues-dominated live albums. Originally released with eight tracks, Stage Struck was augmented with two bonus tracks ("Bad Penny" and "Keychain") when reissued in 1999, four years after Gallagher's death, by his younger brother and manager, Dónal Gallagher.

On This Day 06/09/2007 Future Of The Left

On this day, 6 September 2007, alternative rock band Future of the Left played Cardiff’s Clwb Ifor Bach. The band were about to release their debut album Curses !

Future of the Left formed in mid-2005 after the bands Mclusky and Jarcrew both split up within two months of each other at the beginning of the year. The new group was formed by singer/guitarist Andy "Falco" Falkous and drummer Jack Egglestone, both previously of Mclusky, alongside singer/bassist Kelson Mathias and bassist Hywel Evans, both formerly of Jarcrew. Evans quickly moved on to start a math rock band, Truckers of Husk.

Future of the Left's first performances were secret gigs using aliases such as "Guerilla Press" and "Dead Redneck" to avoid the concert being attended by large numbers of expectant Mclusky and Jarcrew fans. Their very first show was at Clwb Ifor Bach, Cardiff on 2 July 2006, under the alias "the Mooks of Passim". The first official headline show (and the first show the band played under the name Future of the Left) was played in Camden Barfly to a capacity crowd on 1 September 2006.

In late 2006 the trio were signed to Too Pure, who had also signed Mclusky and when Too Pure disbanded the band transferred to 4AD.

Their debut album, Curses, was released on 24 September 2007 in the UK and 1 October in Japan. A surprise to some fans of Jarcrew and Mclusky was the band's occasional move towards songs with a synthesizer (a Roland Juno-60) in favour of Falco's guitar. On the whole, fans and critics responded to the change positively.

On This Day 05/09/2002 Suede

On this day, 5 September 2002, English rock band Suede played Cardiff’s Coel Exchange as part of a three-date preview tour for a full-blown tour to follow in October.

Formed in London in 1989. The band is composed of singer Brett Anderson, guitarist Richard Oakes, bass player Mat Osman, drummer Simon Gilbert and keyboardist/rhythm guitarist Neil Codling.

In 1992, Suede were dubbed "The Best New Band in Britain" by Melody Maker, and attracted much attention from the British music press. The following year their debut album Suede went to the top of the UK Albums Chart, becoming the fastest-selling debut album in almost ten years.

It won the Mercury Music Prize and helped foster 'Britpop' as a musical movement, though the band distanced themselves from the term.

The band were promoting their soon to be released fifth studio album, A New Morning.

By the time the album was released, public interest in the band had waned, as shown by the poor charting of both the album and singles. Despite this, however, the album received moderate praise from critics. It is the only Suede album not to be released in the US. It was the last studio album released by the band before their seven-year hiatus and reunion in 2010.

On This Day 04/09/2011 Dolly Parton

On this day, 4 September 2011, American Country Legend Dolly Parton played the second of two nights at Cardiff’s Motorpoint Arena on her Better Day World Tour.

It was the tenth concert tour by Dolly Parton. Visiting North America, Europe and Australia, the tour supported her 41st studio album, Better Day. With nearly 275,000 tickets sold, and an overall gross of $34 million, it is Parton's most successful tour.

Cardiff Review - Guardian

As women in pink Stetsons and high heels take their seats, Dolly Parton totters on stage in a tight white dress that exaggerates every curve. There is polite pandemonium. Her face and frame may be triumphs of Botox and collagen, but her voice is as pure as mountain air as she launches into a version of Walking on Sunshine. She does a little hoedown, and her enthusiasm is infectious. She would make an excellent primary school teacher. "We need to feel good," she declares, and you think, "Yes, Miss Parton, we do."

The anecdotes are often longer than the songs. And they are all meticulously rehearsed to sound off-the-cuff, such as the one about the red-haired girl who tried to steal her husband that prefaces Jolene.

There is a bluegrass medley, complete with yee-haws and yodelay-heehoos, that includes Dueling Banjos and numerous references to her being a country girl. Parton reminisces about growing up as one of 12 children in poverty in the Tennessee mountains, and it sounds like an episode of The Waltons, so full is it of folksy charm and homespun homilies. She sits on a quilt to tell a story about a coat made for her from scraps by her "Mama" as images appear on the screen of a sepia shack. As her voice cracks, you don't know whether to laugh or cry. When she picks up a shiny saxophone and asks, "How did I get one of these from such humble beginnings?" you think, "Enough of the protestations of poverty!"

Behind the sentiment and shtick, there are dollops of ersatz country – but this is more of a generic US pop-rock sound than it is the real thing. Nevertheless, Parton is a respected songwriter, and pens most of her own material. When she plays tracks from her new album, Better Day, on an acoustic guitar it reminds you that she was a serious musician and ambassador for Americana before she became a figure of cartoon-country fun.

After a 20-minute interval, Parton reappears in a red sequinned jump-suit ("It costs a lot of money to look this cheap," she jokes), and after dispensing with 2001's Little Sparrow, which is as arrestingly solemn and sparse as a traditional folk tune, she cranks out the hits that people have paid to hear. Here You Come Again gets everyone on their feet, and Islands in the Stream keeps them there.

As the singer makes her final assault with I Will Always Love You, infused with country-gospel fervour, and 9 to 5, sung against a glitzy apocalypse of a Las Vegas backdrop, it occurs to you just how strange this self-styled Backwoods Barbie – equal parts Lady Gaga and Loretta Lynn – really is.

Setlist

"Walking on Sunshine" (contains excerpts from "Shine Like the Sun")

"Better Get to Livin'"

"Jolene"

"Rocky Top"

"Mule Skinner Blues"

"Help!"

"Shine"

"Stairway to Heaven"

"My Tennessee Mountain Home"

"Precious Memories"

"Coat of Many Colors"

"Smoky Mountain Memories"

"Son of a Preacher Man"

"Better Day"

"Together You and I"

"Holding Everything"

"Joyful Noise"

"He Will Take You Higher" (contains excerpts from "I Want to Take You Higher")

"He's Everything"

"White Limozeen"

"The Best of Both Worlds"

"The Sacrifice"

"In the Meantime"

"Little Sparrow"

"River Deep – Mountain High"

"Here You Come Again

"Islands in the Stream"

"9 to 5"

Encore

"I Will Always Love You"

"Light of a Clear Blue Morning"

On This Day 28/08/1959 Billy Fury

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On this day, 28 Aug 1959, British rock legend Billy Fury played Cardiff’s Gaumont Theatre. Also included in the package was Terry Dene, Dickie Pride, Johnny Gentle, Duffy Power, Vince Eager, Gerry Dorsey, Sally Kelly with
Gerry Myers (compere).

Ronald Wycherley/Billy Fury went to meet pop manager and impresario Larry Parnes at the Essoldo Theatre in Birkenhead, hoping to interest one of Parnes' protégés, singer Marty Wilde, in some of the songs he had written.

Instead, in an episode that has since become pop music legend, Parnes pushed young Wycherley up on stage right away. He was such an immediate success that Parnes signed him, added him to his tour, and renamed him "Billy Fury".

Review - South Wales Argus

However, his early sexual and provocative stage performances received censure, and he was forced to tone them down. In October 1959, the UK music magazine, NME, commented that Fury's stage antics had been drawing much press criticism.

An early star of both rock and roll and films, he equalled the Beatles' record of 24 hits in the 1960s and spent 332 weeks on the UK chart, though he never had a chart-topping single or album.

On This Day 27/08/1998 Lloyd Cole

On this day, 27 August 1998, singer, songwriter and musician Lloyd Cole played Cardiff’s Clwb Ifor Bach on his UK acoustic tour. He was lead vocalist of Lloyd Cole and the Commotions from 1984 to 1989.

The Commotions' debut studio album, Rattlesnakes (1984), contained literary and pop culture references to such figures as Arthur Lee, Norman Mailer, Grace Kelly, Eva Marie Saint, Simone de Beauvoir, Truman Capote and Joan Didion. The band produced two more studio albums, Easy Pieces (1985) and Mainstream (1987), before disbanding in 1989.

Songs by the band include "Perfect Skin", "Rattlesnakes", "Forest Fire", "Are You Ready to Be Heartbroken?", "Lost Weekend" and "Jennifer She Said". Cole subsequently relocated to New York City and recorded with various musicians, including Fred Maher, Robert Quine and Matthew Sweet.

Some of Cole's songs have been covered by other artists. "Rattlesnakes" has been covered by Tori Amos on her concept album Strange Little Girls (2001), while Sandie Shaw released a version of "(Are You) Ready to Be Heartbroken?" in 1986.

In 2006, Scottish indie pop band Camera Obscura released the song "Lloyd, I'm Ready to Be Heartbroken" as an answer song to Cole's 1984 hit "Are You Ready to Be Heartbroken?".