On This Day 21/10/1976 Thin Lizzy

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On this day, 21 October 1976, rock band Thin Lizzy played Cardiff’s Capitol Theatre on their Johnny the Fox tour.

By the beginning of 1976 the classic lineup of the band had been together for 18 months;Phil Lynott, Brian Downey, Scott Gorham and Brian Robertson; and the band’s distinctive take on the classic ‘Wishbone Ash twin-lead guitar’ attack had begun to cut through, on both sides of the Atlantic.

The Jailbreak album was recorded at The Who’s Ramport Studios in Battersea, London, between December ’75 and February ’76, with John Alcock producing. The band had worked up the songs in a small studio in Buckinghamshire in late ’75 so that the arrangements were really tight by the time they got to Ramport, (too tight for Robertson who later complained that he felt restricted by the lack of experimentation at Ramport.) Unknown outside of the band and their label at the time, however, was that this album was their last chance; they were about to be dropped by Vertigo if it didn’t make the charts.

Jailbreak came out on 26th March 1976 and went into the U.K Album Chart at No.60. It peaked at No.10 on its 22nd week and remained on the chart for a total of 50 weeks, 13 of those in the Top 20.

The first single from Jailbreak was The Boys are Back in Town c/w Emerald, released three weeks after the album, on 17th April. It didn’t break into the Singles Chart for nearly 6 weeks, reaching No.48 on 29th May. However, as soon as Radio One and Top of the Pops picked up on it, it rose to No.8 on 3rd July during that long hot summer.

The album’s title track was the next single, peaking at No.31. However, all was not well in the band. During a triumphant U.S tour, where the album had broken into the Billboard chart at No.18, Phil Lynott contracted Hepatitis which meant that the band and crew were quarantined and the tour was cancelled.

While he was ill, Lynott was determined to try and salvage some momentum from the situation and he wrote most of the next album, Johnny the Fox, in a Manchester hospital on an acoustic guitar. In August ’76, Thin Lizzy went back into Ramport with Alcock and recorded the new album in a few weeks, after an aborted attempt to record at Musicland Studios in Munich. While in Germany arguments about musical direction began to surface, mostly between Robertson and Lynott. The Ramport sessions were fraught with tension but they delivered the album on time and Vertigo put out Johnny the Fox in October ’76, just 7 months after Jailbreak. It went straight into the U.K Album Chart at No.11, staying on the chart for 23 weeks. The only U.K single was Don’t Believe a Word c/w Old Flame which was released on 26th November. It spent 7 weeks on the chart, peaking at No.11. In the U.S, the album suffered from that cancelled tour and the lost momentum, reaching No.52.

The band’s touring schedule during 1976, despite recording two albums and Lynott’s illness, was relentless. 65 gigs in the U.K, 14 in mainland Europe and 32 in the U.S meant almost a third of the year was spent on the road. However, as 1976 came to an end, Brian Robertson almost destroyed all of the progress and hard work that Thin Lizzy had made. The night before leaving London for the start of another U.S tour, the Glaswegian guitarist got into a fight and broke his hand. The tour had to be delayed while Gary Moore rejoined the band and the dates were all moved to Jan-March 1977 with Lizzy supporting Queen.

On This Day 14/10/1977 The Saints

On this day, 14 October 1977, Australian rock band The Saints played Cardiff’s Top Rank. Support was provided by Mirrors.

Formed in Brisbane, Queensland in 1973 and founded by singer-songwriter Chris Bailey, drummer Ivor Hay, and guitarist-songwriter Ed Kuepper, they originally employed fast tempos, raucous vocals and a "buzzsaw" guitar sound that helped initiate punk rock in Australia and identified them with the greater international movement.

Unable to get gigs, they converted their share house into a venue where they could play. With their debut single "(I'm) Stranded", released in September 1976, they became the first punk band outside the US to release a record, ahead of the first UK punk releases from the Damned, the Sex Pistols and the Clash.

They experienced UK chart success in 1977 with the song "This Perfect Day", which peaked at #34. Bassist Kym Bradshaw left in 1977 to join first-wave British punk rock band, The Lurkers, and was replaced by Algy Ward.

On This Day 16/09/1974 Shirley Bassey

On this day, 16 September 1974, Cardiff singing superstar Shirley Bassey played Cardiff’s Capitol Theatre.

Bassey was experiencing a resurgence 1970 leading to one of the most successful periods of her career. Starting the year with a BBC Television 'Special' The Young Generation Meet Shirley Bassey, recorded in Sweden and shown on BBC1 on 18 March.

She returned to the UK with a record-breaking run of performances at the Talk of the Town nightclub. Also that year, her album Something was released, and showcased a new Bassey style, a shift from traditional pop to more contemporary songs and arrangements (the eponymous single was more successful in the UK charts than the original recording by The Beatles) – although Bassey would never completely abandon what that had been her forte: standards, show tunes, and torch songs.

Nobody Does It Like Me is a 1974 album by Shirley Bassey. Bassey's recordings had been selling well since 1970, scoring three top ten singles and three ten top albums. Nobody Does It Like Me was recorded with a new producer, George Butler, and brought a partial return to the traditional pop sound of Bassey's pre-1970s career. Here, the title track "Nobody Does It Like Me" and "When You Smile" harken back to the big band era. Bassey's soaring vocals on Paul Anka's "I'm Not Anyone" and the slightly funky "Morning in Your Eyes" contrast with a delicately rendered "Davy". The duet "Davy", recorded with the song's composer Benard Ighner, is one of the rare occasions that Bassey would share the credits with another vocalist; it was also issued as a single and hit #44 on the US Adult Contemporary chart. The album closes with Bassey's reading of Stevie Wonder's "You Are the Sunshine of My Life". This album failed to chart in the UK, and peaked at #142 in the US. Her next two studio albums would be top 15 albums in the UK.

On This Day 15/04/1973 Sharks

On this day, 15 April 1973, rock band Sharks played Cardiff’s Capitol Theatre supporting headlining band Roxy Music.

Sharks are a British rock band formed in 1972 by bassist Andy Fraser upon his departure from Free. They were signed to Island Records and were highly rated by critics, especially for Chris Spedding's guitar work.

The original line-up consisted of Fraser (bass, piano), Snips (real name, Steve Parsons) (vocals), Spedding (guitar) and Marty Simon (drums).

Andy Fraser had originally contacted Chris Spedding, in July 1971, to discuss playing in his first post-Free band, Toby. When Fraser formed Sharks a year later, he contacted Spedding again and, this time, they agreed to work together. Fraser had already recruited his friend Marty Simon, so auditions were held for a singer to complete the line-up.

Robert Palmer and Leo Sayer were turned down in favour of an unknown 21-year-old from Yorkshire, Steve Parsons, also known as Snips, originally spotted by Island A&R man Muff Winwood. Snips had previously fronted a Hull-based band called Nothingeverhappens. Parsons "played one song of his, "Snakes and Swallowtails" and he was in", Spedding later told Melody Maker.

Sharks' first gig was in October 1972, in Islington and they played a few clubs in Europe during December 1972, before returning to London, to record their debut album.

In January & February 1973, Sharks embarked on a UK tour, playing clubs and universities. To promote the band, whilst touring, Chris Spedding customized his Pontiac Le Mans, fitting a shark fin on the roof and fibreglass teeth on the grille. On 19 February 1973, on the way back to London from a gig in Cleethorpes, the car skidded and hit a tree. Fraser suffered injuries to his wrist and, during recuperation, had second thoughts about the band.

After a short break, the band went back on the road in March and April, opening for Roxy Music, although Fraser had some difficulty playing with his injury. On 17 March, they made an appearance on the BBC Two programme, Old Grey Whistle Test. The tour ended on 15 April, in Cardiff.

On This Day 13/12/1972 Supertramp

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On this day, 13 December 1972, rock band Supertramp played Cardiff High School.

formed in London in 1970. Marked by the individual songwriting of founders Roger Hodgson (vocals, keyboards and guitars) and Rick Davies (vocals and keyboards), the group were distinguished for blending progressive rock and pop styles.

The classic lineup, which lasted ten years from 1973 to 1983, comprised Davies, Hodgson, Dougie Thomson (bass), Bob Siebenberg (drums) and John Helliwell (saxophone), after which the group's lineup changed numerous times, with Davies eventually becoming the only constant member throughout its history.

The group found no success with their first two albums, but after a lineup change into what became their classic lineup, their third album, Crime of the Century (1974), was their breakthrough.

Initially a more experimental prog-rock group, they began moving towards a more pop-oriented sound with the album. The band reached their commercial peak with 1979's Breakfast in America, which yielded the international top 10 singles "The Logical Song", "Breakfast in America", "Goodbye Stranger" and "Take the Long Way Home". Their other top 40 hits included "Dreamer" (1974), "Give a Little Bit" (1977) and "It's Raining Again" (1982).

On This Day 09/09/1975 Kraftwerk

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On this day, 9 September 1975, German pioneering electronic band Kraftwerk played Cardiff’s Capitol Theatre.

Kraftwerk (German pronunciation: [ˈkʁaftvɛɐ̯k], lit. "power plant") were formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre.

The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet.

The year 1975 saw a turning point in Kraftwerk's live shows. With financial support from Phonogram Inc., in the US, they were able to undertake a tour to promote the Autobahn album, a tour which took them to the US, Canada and the UK for the first time.

The tour also saw a new, stable, live line-up in the form of a quartet. Hütter and Schneider continued playing keyboard synthesizers such as the Minimoog and ARP Odyssey, with Schneider's use of flute diminishing. The two men started singing live for the first time, and Schneider processing his voice with a vocoder live. Wolfgang Flür and new recruit Karl Bartos performed on home-made electronic percussion instruments. Bartos also used a Deagan vibraphone on stage. The Hütter-Schneider-Bartos-Flür formation remained in place until the late 1980s and is now regarded as the classic live line-up of Kraftwerk. Emil Schult generally fulfilled the role of tour manager.

After the 1975 Autobahn tour, Kraftwerk began work on a follow-up album, Radio-Activity (German title: Radio-Aktivität). After further investment in new equipment, the Kling Klang Studio became a fully working recording studio.

The group used the central theme in radio communication, which had become enhanced on their last tour of the United States. With Emil Schult working on artwork and lyrics, Kraftwerk began to compose music for the new record. Even though Radio-Activity was less commercially successful than Autobahn in the UK and United States, the album served to open up the European market for Kraftwerk, earning them a gold disc in France. Kraftwerk made videos and performed several European live dates to promote the album. With the release of Autobahn and Radio-Activity, Kraftwerk left behind avant-garde experimentation and moved towards the electronic pop tunes for which they are best known.

On This Day 11/07/1978 The Specials

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On this day, 11 July 1978 , legendary ska/punk band The Specials played Cardiff’s Top Rank as support to punk giants The Clash.

Originally called The Hybrids, The Automatics, later became Coventry Specials, Special AKA eventually becoming The Specials (Jun 78-81).

The group was formed in 1977 by songwriter/keyboardist Dammers, vocalist Tim Strickland, guitarist/vocalist Lynval Golding, drummer Silverton Hutchinson and bassist Horace Panter (Sir Horace Gentleman). Strickland was replaced by Terry Hall shortly after the band's formation. The band was first called the Automatics, then the Coventry Automatics. Guitarist Roddy Byers (usually known as Roddy Radiation) agreed to join the band in March 1978 ahead of a recording session of demos.

The Specials at Cardiff Top Rank

The new line-up changed their name to The Special A.K.A. The Automatics after another band called the Automatics signed a record deal with Island Records. The new name was a bit of a mouthful and was shortened to The Special AKA. The name Special AKA soon evolved into The Specials – the moniker that would be used for most of the band's career.

Joe Strummer of The Clash had attended one of their concerts, and invited the Special AKA to open for his band in their "On Parole" UK tour. This performance gave the Special AKA a new level of national exposure, and they briefly shared the Clash's management. During the tour Neville Staple, who was initially one of the roadies, became a full member of The Specials when his version of "Monkey Man" was incorporated into the group's set.

Jerry Dammers (keyb)
Lynval Golding (gtr)
Horace Panter (bass)
Silverton Hutchinson (drms)
Terry Hall (voc)
Roddy Radiation (gtr)
Nevile Staples (voc)

On This Day 04/11/1972 The Kinks

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On this day, 4 October 1972, legendary London band The Kinks played Cardiff’s Top Rank.

The band had just recently released their eleventh album Everybody’s in Show-biz, a double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand.

Everybody's in Show-Biz is often seen by fans as a transition album for the Kinks, marking the change in Ray Davies' songwriting style toward more theatrical, campy and vaudevillian work, as evidenced by the rock-opera concept albums that followed it.

This album marks Davies' explorations of the trials of rock-star life and the monotony of touring, themes that would reappear in future releases like The Kinks Present A Soap Opera and the 1987 live album Live: The Road.