ON THIS DAY 01/09/1958 Jackie Dennis

On this day, 1 September 1958, Scottish singer Jackie Dennis, The Kilted Choirboy, played Cardiff’s New Theatre.

He was discovered by the comedians Mike and Bernie Winters in 1958. The brothers brought him to the attention of the show business agent Eve Taylor, and he appeared on the television programme, Six-Five Special, at the age of 15, and in a subsequent film spin-off.

The kilt-wearing, spiky-haired pop singer enjoyed seven successful years in the show business and toured the world. "La Dee Dah" was his biggest UK hit, reaching number 4 in the UK Singles Chart in 1958, whilst his cover of Sheb Wooley's "Purple People Eater" was his second and final UK hit, peaking at number 29.

Dennis appeared on Perry Como's US television show, where he was introduced as 'Britain's Ricky Nelson' performing the song "Linton Addie".

He latterly worked as a nursing home carer, before retiring and living in Pilton, Edinburgh, with wife Irene, to whom he was married for over 30 years.

He died in September 2020 at the age of 77.

ON THIS DAY 31/08/2004 ALEXISONFIRE

On this day, 31 August 2004, Canadian post-hardcore band Alexisisonfire played Cardiff’s Barfly,

They describe their music as "the sound of two Catholic high-school girls in mid-knife-fight" (a reference to their song "A Dagger Through the Heart of St. Angeles", also the inspiration for their debut album cover art).

When the band emerged in late 2001, it was enough to impress critics as well as earning their self-titled debut album a platinum certification in Canada.

The band has released three subsequent successful studio albums since then: Watch Out! in 2004, Crisis in 2006, and Old Crows/Young Cardinals in 2009, each achieving platinum certification in their native country. Plus three special edition live albums from Manchester Academy, Birmingham Academy, and Brixton Academy.

Their accolades include a 2005 Juno Award for New Group of the Year.

In August 2011, vocalist George Pettit posted a message to fans on the band's official website stating that, following the departure of two members, that they would issue several special releases and complete a farewell tour before parting ways.

On March 9, 2015, following the previously shared post on social media the band appear to have confirmed themselves for several reunion shows, including Heavy MONTRÉAL, Reading and Leeds festivals, Sonic Boom, X-Fest, Riot Fest Toronto and the band's only American date, Riot Fest Chicago.

On September 19, 2015, during the band's last date of the tour at the Riot Fest in Toronto, Ontario, MacNeil announced on stage that the band was officially back.

On This Day 30/08/1965 The Who

On this day, 30 August 1965, legendary British rock band The Who, played Cardiff’s Sophia Gardens.

The Cardiff show is the first for The Who placed by their new booking agent, Australian Robert Stigwood. Two Stigwood acts, The Merseybeats and The Graham Bond Organization, open for The Who.

In early 1965, The Who made their first appearance on the television music show, Top of the Pops, at the BBC's Dickenson Road Studios in Manchester, with "I Can't Explain".

The follow-up single, "Anyway, Anyhow, Anywhere", by Townshend and Daltrey, features guitar noises such as pick sliding, toggle switching and feedback, which was so unconventional that it was initially rejected by the US arm of Decca. The single reached the top 10 in the UK and was used as the theme song to Ready Steady Go!

The transition to a hit-making band with original material, encouraged by manager Kit Lambert, did not sit well with Daltrey, and a recording session of R&B covers went unreleased.

The next single, "My Generation", followed in October. Townshend had written it as a slow blues, but after several abortive attempts, it was turned into a more powerful song with a bass solo from Entwistle. The song used gimmicks such as a vocal stutter to simulate the speech of a mod on amphetamines, and two key changes.

The debut album My Generation was released in late 1965. Among original material by Townshend, including the title track and "The Kids Are Alright", the album has several James Brown covers from the session earlier that year that Daltrey favoured.

On this day, 26/08/2007 Paul Van Dyk

On this day, 26 August 2007, German DJ, record producer and musician Paul Van Dyk played Coopers Field, Cardiff. Also featured were Sasha, Roger Sanchez, Pete Tong, Plump DJs, Marco V, Grooverider, Sander Van Doorn.

One of the first true renowned DJs, van Dyk was the first artist to receive a Grammy Award nomination in the newly added category of Best Dance/Electronic album for his 2003 release Reflections.

He was named the World's number one DJ in both 2005 and 2006, something few DJs have ever achieved. He was the first ever DJ to be named number one by Mixmag in 2005. By 2008, he had sold over 3 million albums worldwide.

Van Dyk released his fifth studio album, In Between, worldwide on 14 August 2007. The album, which he created over a three-year period, debuted at number No. 115 on the Billboard 200 and No. 2 on the Billboard's Top Electronic Albums and No. 1 on the Top Heatseekers.

The album was released accompanied by a special edition limited to two thousand copies which included a mixed version of the full album, along with an eight-track bonus CD and an eight-page photo anthology.[

The album was produced primarily by Paul van Dyk himself, and features a wide range of collaborators including David Byrne of Talking Heads, Jessica Sutta of the Pussycat Dolls, Ashley Tomberlin from Luminary, Alex M.O.R.P.H, Lo Fi Sugar, Rea Garvey of Reamonn, Ryan Merchant and Wayne Jackson. It also features a vocal sample from Ben Lost from Probspot's "Blows My Mind" on the song "Another Sunday". In June 2007, van Dyk embarked on the worldwide "In Between Tour" to promote the album.

On This Day 24/08/1975 Queen

On this day, 24 August 1975 Supergroup Queen started recording 'Bohemian Rhapsody' at Rockfield studio' in Monmouth, South Wales. The song was recorded over three weeks.

Written by lead singer Freddie Mercury, the song is a six-minute suite, notable for its lack of a refraining chorus and consisting of several sections: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. It is one of the few progressive rock songs of the 1970s to achieve widespread commercial success and appeal to a mainstream audience.

Mercury referred to "Bohemian Rhapsody" as a "mock opera" that resulted from the combination of three songs he had written.

Mercury had mentally prepared the song beforehand and directed the band throughout the sessions. May, Mercury, and Taylor sang their vocal parts continually for ten to twelve hours a day, resulting in 180 separate overdubs.

According to Guitarist Brian May, much of Queen's material was written in the studio, but this song "was all in Freddie's mind" before they started.

On This Day 23/08/1966 Radio England Swinging 66 UK Tour

On this day, 23 August 1966, the Small Faces, Crispian St. Peters, Neil Christian, Dave Berry and Wayne Fontana played Cardiff’s Capitol Theatre as part of the Radio England Swinging 66 UK Tour.

The tour was heavily advertised on air and gigs proved reasonably successful in the south-east of the country, where Radio England could be heard. Unfortunately outside the station's transmission area, audiences were understandably sparse. The tour proved a financial disaster, losing over £17,000.

The station attempted to get some of this back by selling autographed copies of the left-over concert programmes.

Nowadays record companies have synchronised worldwide release dates for their products but in the sixties American records were often released in the States months before they became available in the UK (and vice versa). Radio England frequently played the US releases which gave the station a unique sound and meant that it was often ahead of the competition.

It has been suggested that Radio England ultimately failed because it was “too American” for British tastes. If this is true, nowhere was the cuture gap more apparent than in the delivery of news. Listeners in the UK had never heard bulletins like this before! We were used to the BBC and its rather polite presentation of the stories of the day.

Radio London had introduced Morse bleeps between the items and a greater sense of urgency but news on Swinging Radio England was something else again. Jingles, sound effects and echo were all part of the mix. It was news as drama. Never knowingly under-stated, each bulletin was “a feature of the Radio England Department of News and Public Affairs” - “Europe's most comprehensive news service”!

On This Day 22/08/2009 U2

On this day, 22 August 2009, Irish rock band U2 played Cardiff’s Millennium Stadium on their 360° Tour with support provided by Glasvegas and The Hours.

Staged in support of the group's 2009 album No Line on the Horizon, the tour visited stadiums from 2009 through 2011. The concerts featured the band playing "in the round" on a circular stage, allowing the audience to surround them on all sides. To accommodate the stage configuration, a large four-legged structure nicknamed "The Claw" was built above the stage, with the sound system and a cylindrical, expanding video screen on top of it.

At 164 feet (50 m) tall, it was the largest stage ever constructed. U2 claimed that the tour would be "the first time a band has toured in stadiums with such a unique and original structure."





Setlist

Space Oddity (David Bowie song) (intro tape)

Breathe

No Line on the Horizon

Get on Your Boots

Magnificent

Beautiful Day

(with "Land of Our Fathers" and "Blackbird" snippets)

Mysterious Ways

I Still Haven't Found What I'm Looking For

(with "Stand By Me" snippet)

Stay (Faraway, So Close!)

Unknown Caller

The Unforgettable Fire

City of Blinding Lights

Vertigo

I'll Go Crazy If I Don't Go Crazy Tonight

(remix; with "Two Tribes" snippet)

Sunday Bloody Sunday

(with "Oliver's Army" snippet)

Pride (In the Name of Love)

MLK

Walk On

(with "You'll Never Walk Alone" snippet)

Where the Streets Have No Name

(Desmond Tutu Speech)

One

Bad

(with "40" snippet)

Encore:

Ultraviolet (Light My Way)

With or Without You

Moment of Surrender





Review - Wales Online

U2 at the Millennium Stadium: 'The best gig Cardiff's ever had'

IT was one of the most eagerly anticipated gigs of the year.

And for 70,000 fans, it delivered on every count.

When U2 rolled into Cardiff last night for the last leg of their European 360 Degree Tour, they blew the audience away.

Taking centre stage and most of the audience’s breath away in the Millennium Stadium was the £20m set dubbed The Claw – which towered over the main circular stage.

As the iconic front man Bono emerged last night, clad in black and wearing his trademark sunglasses, the crowd erupted with delight.

The almost capacity 70,000 audience made it a record-breaking attendance for any gig at the stadium, outselling Take That’s 64,000 audience earlier this year.

After opening with Breathe, from the new album No Line on the Horizon, the band treated fans to a mix of their many hits from the last three decades and new songs from their latest CD.

Highlights included Beautiful Day, Mysterious Ways, Vertigo, Pride and One, as well as newer stand out songs, Get On Your Boots, Crazy Tonight and Magnificent.

Homage was also paid to The Edge’s Welsh roots, with Bono confessing to having once had singing lessons from the guitarist’s father, Garvin Evans.

“He told me to look after the consonants and the vowels will look after themselves,” Bono told the crowd, who lapped up his every word.

The Edge, whose family were in the Cardiff crowd, received a rapturous applause simply by saying “Cymru Am Byth”, before the band launched into I Still Haven’t Found What I’m Looking For while the adoring masses sang along.

Of course, no U2 gig would be complete without a political message of democracy and freedom, and this was no exception.

The band dedicated their tracks Walk On and MLK to imprisoned Burmese leader Aung San Suu Kyi, and Arch Bishop Desmond Tutu gave an uplifting video message before the song One.

Fans hailed the gig as possibly the greatest spectacle seen in the stadium’s 10 year history.

Martin Howarth, 25, from Swansea, said: “I’ve seen the Red Hot Chili Peppers at the stadium and the Rolling Stones but U2 were much better.

“They get such a mixed crowd because they have been going for so long. Some people knew all the words of the old stuff and others only knew the recent albums.

“You have to give them credit and say they are one of the best live bands in the world.

“I would definitely go back and see them again if they came to Cardiff.”

Lloyd James, 24, from Swansea, said: “It was unbelievable. I have never seen a gig like it before.

“The sound was fantastic and the stage looked immense.

“I’ve been to some pretty special rugby games in the Millennium Stadium before but the atmosphere was something totally different to those.

“It’s the best gig Cardiff’s ever had.”

On this Day 18/08/1993 U2

On this day, 18 August 1993, Irish rock band U2 played Cardiff Arms Park as part of their Zoo TV tour.

Support for the day was provided by Utah Saints and Stereo MCs.

Staged in support of their 1991 album Achtung Baby, the tour visited arenas and stadiums from 1992 to 1993. It was intended to mirror the group's new musical direction on Achtung Baby.

In contrast to U2's austere stage setups from previous tours, the Zoo TV Tour was an elaborately staged multimedia spectacle, satirising television and media oversaturation by attempting to instill "sensory overload" in its audience.

To escape their reputation for being earnest and overly serious, U2 embraced a more lighthearted and self-deprecating image on tour. Zoo TV and Achtung Baby were central to the group's 1990s reinvention.

The tour's concept was inspired by disparate television programming, coverage of the Gulf War, the desensitising effect of mass media, and "morning zoo" radio shows.

The stages featured dozens of large video screens that showed visual effects, video clips, and flashing text phrases, along with a lighting system partially made of Trabant automobiles.

The shows incorporated channel surfing, prank calls, video confessionals, a belly dancer, and live satellite transmissions with war-torn Sarajevo.

On stage, Bono portrayed several characters he conceived, including the leather-clad egomaniac "The Fly", the greedy televangelist "Mirror Ball Man", and the devilish "MacPhisto".

In contrast to other U2 tours, each of the Zoo TV shows opened with six to eight consecutive new songs before older material was played.

Setlist:

Zoo Station

The Fly

Even Better Than The Real Thing

Mysterious Ways

One / Hear Us Coming (snippet) / Unchained Melody (snippet)

Until the End of the World

New Year's Day

Numb

Babyface

Angel of Harlem

Dancing Queen

Stay (Faraway, So Close!)

Satellite Of Love

Bad / Irish Heartbeat (snippet) / The First Time (snippet)

Bullet the Blue Sky

Running To Stand Still

Where the Streets Have No Name

Pride (In the Name of Love)

encore(s):

Desire / You Make Me Feel So Young (snippet) / Green Green Grass Of Home (snippet)

I Just Called To Say I Love You (snippet) / Ultraviolet (Light My Way) / My Way (snippet)

With or Without You / Shine Like Stars (snippet)

Love Is Blindness

Can't Help Falling In Love

ARCHIVE REVIEW
by Steve Duffy, South Wales Echo

The band too have moved on, as they must. CNN and NBC were the perfect backing for the PVC of Bono as band started with a huge chunk from their previous album Achtung Baby - techno-rock gloss of Even Better Than The Real Thing, The Fly (and with exotic dancer) Mysterious Ways, three tracks which stand with Us2 best.

Normal service was quickly resumed with New Year’s Day, who struck the crowd dumb with his new solo, effort, Numb.

On Babyface, Bono invites a girl up - these days she gets a camcorder rather than a kiss, and promptly zooms in on his crotch.

the band at last leave the technology behind to take to a small stage for semi-acoustic segment - a memorable Angel Of Harlem, an improbably good version of Abba’s Dancing Queen, the excellent Stay (Faraway So Close) from Zooropa and Satellite of Love (with fuzzy image of Lou Reed bearing down).

The crowd are predictably welcoming for the U2 - the anthems’ segment.

The old stadium rock atmosphere is recreated for Bad, although Bullet The Blue Sky is, with out irony, turned into a horrid Nuremberg style rally, to a backdrop of burning crosses turning into swastikas, Bono ending with clenched salute declaring, "We must not let this happen again." Please don’t.

They finish with Where The Streets Have No Name and Pride, and we’re left with a relaxation video of tropical fish.

Bono returns for the encore as MacPhisto - dressed in gold glitter suit, platform shoes, red devil horns and lip gloss for Desire.

Then it’s on the mobile phone to Lady Thatcher.

the band may have matured musically, but not politically - a naive call to the Commons in the summer recess to sing I Just Called To Say I Love You to The Lady (wrong number too), to be told by a telephonist to write in.

We should all write "Capitalism Suck" 100 times on our £10 tour programmes and send them to the band.

It ends wonderfully quietly - Love Is Blindness and a quick impression of Elvis before a simple sign off with I Can’t Help Falling In Love With You.

"Elvis Is Still In The Stadium," were his last words.

Somehow Bono himself never really was.