On This Day 21/08/2003 Evan Dando (The Lemonheads)

On this day, 21 August 2003, American musician and frontman of the Lemonheads Evan Dando played Cardiff’s Clwb Ifor Bach.

Dando was born in Essex, Massachusetts, on Boston's North Shore, to Susan, a former fashion model, and Jeffrey, who worked as a real estate attorney. At the age of nine, his family moved from Essex to Boston; his parents divorced two years later. In his teens Dando attended Commonwealth School in Boston. In the fall of 1986 he enrolled at Skidmore College but dropped out after getting "four Fs and a D."

While at Commonwealth, Dando met Ben Deily and Jesse Peretz, and in 1986 they formed the Whelps before changing their name to Lemonheads, like that of the candy manufactured by Ferrara Pan. The Lemonheads debuted at the Meltdown House in Cambridge on July 18, 1986, followed by a show at The Rat on August 19. The band recorded an EP, Laughing All the Way to the Cleaners, which got the attention of Taang! Records, a local label. The Lemonheads' first three albums, Hate Your Friends, Creator, and Lick, were all released on Taang!

Following the third album, Dando left the group briefly after some tension with Deily, and joined Juliana Hatfield's band Blake Babies. However, he returned as a drummer when The Lemonheads' cover of Suzanne Vega's song "Luka" became successful,[4] and the group had an opportunity to tour Europe. Deily, however, quit the band shortly before the tour, and Dando replaced him as the guitarist and lead vocalist.Dando brought in David Ryan on drums, and the group signed with Atlantic Records, releasing the album Lovey in 1990.

In February 2003 Dando released his first solo album, Baby I'm Bored, which reached the top 40 of the UK Albums chart.

On this Day 18/08/1993 U2

On this day, 18 August 1993, Irish rock band U2 played Cardiff Arms Park as part of their Zoo TV tour.

Support for the day was provided by Utah Saints and Stereo MCs.

Staged in support of their 1991 album Achtung Baby, the tour visited arenas and stadiums from 1992 to 1993. It was intended to mirror the group's new musical direction on Achtung Baby.

In contrast to U2's austere stage setups from previous tours, the Zoo TV Tour was an elaborately staged multimedia spectacle, satirising television and media oversaturation by attempting to instill "sensory overload" in its audience.

To escape their reputation for being earnest and overly serious, U2 embraced a more lighthearted and self-deprecating image on tour. Zoo TV and Achtung Baby were central to the group's 1990s reinvention.

The tour's concept was inspired by disparate television programming, coverage of the Gulf War, the desensitising effect of mass media, and "morning zoo" radio shows.

The stages featured dozens of large video screens that showed visual effects, video clips, and flashing text phrases, along with a lighting system partially made of Trabant automobiles.

The shows incorporated channel surfing, prank calls, video confessionals, a belly dancer, and live satellite transmissions with war-torn Sarajevo.

On stage, Bono portrayed several characters he conceived, including the leather-clad egomaniac "The Fly", the greedy televangelist "Mirror Ball Man", and the devilish "MacPhisto".

In contrast to other U2 tours, each of the Zoo TV shows opened with six to eight consecutive new songs before older material was played.

Setlist:

Zoo Station

The Fly

Even Better Than The Real Thing

Mysterious Ways

One / Hear Us Coming (snippet) / Unchained Melody (snippet)

Until the End of the World

New Year's Day

Numb

Babyface

Angel of Harlem

Dancing Queen

Stay (Faraway, So Close!)

Satellite Of Love

Bad / Irish Heartbeat (snippet) / The First Time (snippet)

Bullet the Blue Sky

Running To Stand Still

Where the Streets Have No Name

Pride (In the Name of Love)

encore(s):

Desire / You Make Me Feel So Young (snippet) / Green Green Grass Of Home (snippet)

I Just Called To Say I Love You (snippet) / Ultraviolet (Light My Way) / My Way (snippet)

With or Without You / Shine Like Stars (snippet)

Love Is Blindness

Can't Help Falling In Love

ARCHIVE REVIEW
by Steve Duffy, South Wales Echo

The band too have moved on, as they must. CNN and NBC were the perfect backing for the PVC of Bono as band started with a huge chunk from their previous album Achtung Baby - techno-rock gloss of Even Better Than The Real Thing, The Fly (and with exotic dancer) Mysterious Ways, three tracks which stand with Us2 best.

Normal service was quickly resumed with New Year’s Day, who struck the crowd dumb with his new solo, effort, Numb.

On Babyface, Bono invites a girl up - these days she gets a camcorder rather than a kiss, and promptly zooms in on his crotch.

the band at last leave the technology behind to take to a small stage for semi-acoustic segment - a memorable Angel Of Harlem, an improbably good version of Abba’s Dancing Queen, the excellent Stay (Faraway So Close) from Zooropa and Satellite of Love (with fuzzy image of Lou Reed bearing down).

The crowd are predictably welcoming for the U2 - the anthems’ segment.

The old stadium rock atmosphere is recreated for Bad, although Bullet The Blue Sky is, with out irony, turned into a horrid Nuremberg style rally, to a backdrop of burning crosses turning into swastikas, Bono ending with clenched salute declaring, "We must not let this happen again." Please don’t.

They finish with Where The Streets Have No Name and Pride, and we’re left with a relaxation video of tropical fish.

Bono returns for the encore as MacPhisto - dressed in gold glitter suit, platform shoes, red devil horns and lip gloss for Desire.

Then it’s on the mobile phone to Lady Thatcher.

the band may have matured musically, but not politically - a naive call to the Commons in the summer recess to sing I Just Called To Say I Love You to The Lady (wrong number too), to be told by a telephonist to write in.

We should all write "Capitalism Suck" 100 times on our £10 tour programmes and send them to the band.

It ends wonderfully quietly - Love Is Blindness and a quick impression of Elvis before a simple sign off with I Can’t Help Falling In Love With You.

"Elvis Is Still In The Stadium," were his last words.

Somehow Bono himself never really was.

On This Day 17/08/2014 Malevolent Creation

On this day, 17 August 2014, American death metal band Malevolent Creation, played Cardiff’s Baa Bar.

Formed in Buffalo, New York in 1987[2] and later based in Fort Lauderdale, Florida. The band's original members were rhythm guitarist Phil Fasciana, vocalist Bret Hoffmann, lead guitarist Jim Nickles, bassist Jason Blachowicz and drummer Dennis Kubas. Fasciana is the only founding member who stayed with the band consistently.

The band moved to Fort Lauderdale a year after it formed, and they became a part of the emergent local death metal scene, landing a deal with Roadrunner Records and helping to develop the Florida death metal sound.

In 1991 their debut album, The Ten Commandments, became something of a landmark in the death metal underground, expanding on the early work of bands such as Slayer, Kreator, Possessed, Onslaught, Obituary, and Death.

Malevolent Creation signed a worldwide record deal with Century Media Records in 2014. Their 12th studio album, Dead Man's Path, was released in October 2015.

In September 2016, it was reported that the band had broken up following the cancellation of their upcoming U.S. tour, and departure of their long-time bassist Jason Blachowicz. Phil Fasciana is the only remaining member left.

In November 2017, it was announced that Malevolent Creation had returned with a new lineup, and an upcoming album to be released next year.

Original vocalist Bret Hoffmann died from colon cancer on July 7, 2018, at the age of 51.[

In October 2022, former CKY frontman Deron Miller joined the band as the new vocalist and guitarist.

On This Day 16/08/2005 Man

On this day 16 August 2005, legendary Welsh rock band Man played the Coal Exchange, Cardiff as part of the Titch Gwillym Foundation Concert. Also included were, Racing Cars, Sassafrass, Snatch it Back, Geraint Watkins, The Boogiemen and Mrs Huggett.

Formed in November 1968 as a reincarnation of the Welsh vocal group the Bystanders, Man is renowned for the extended jams during their live performances.

Man's style combined elements of psychedelia, space rock and progressive music.. With their debut album, Revelation, Man "positioned themselves between the space prog of Nektar and the acid-fried rock of Quicksilver Messenger Service".

According to AllMusic, "Man were one of the most promising rock bands to come out of Wales in the early '70s. Along with Brinsley Schwarz, they helped establish the core of the pub rock sound, but they played louder and also had a progressive component to their work that separated them from many of their rivals."

Member Martin Ace has denied that Man is a pub rock band, saying, "We ended up playing in pubs, but it would be completely false to lump us in with that scene. Dire Straits were a pub rock band, not us. Terry [Williams, a former member of Man] went on to join Rockpile, who were the definitive pub rock band, but we sounded nothing like them.”

The BBC called Man a progressive rock band and "psych-prog titans". Classic Rock magazine called Man a jam band.[44] Frank Zappa was an admirer of Man's music, and once described Man guitarist Micky Jones as "one of the 10 best guitarists in the world".

On This Day 15/08/1966 The Troggs

On this day, 15 August 1966, English rock band The Troggs (originally called the Troglodytes), played Cardiff’s Top Rank.

Formed in Andover, Hampshire in May 1964. They had a number of hits in the United Kingdom and the United States. Their most famous songs include the US chart-topper "Wild Thing", "With a Girl Like You" and "Love Is All Around", all of which sold over 1 million copies and were awarded gold discs.

"Wild Thing" is ranked No. 257 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time and was an influence on garage rock and punk rock.

The Troggs are widely seen as a highly influential band whose sound was an inspiration for garage rock and punk rock. Influential American critic Lester Bangs "called the band the progenitors of punk", according to NPR.For example, the Troggs influenced artists such as Iggy Pop, and the early version of British pop-punk pioneers Buzzcocks featured "I Can't Control Myself" in their live repertoire.

The Ramones are also among the punk bands who cited the Troggs as an influence. "I Can't Control Myself" is perhaps the most enduring favourite of critics; it continues to be championed for its originality and lasting influence by radio hosts such as "Little" Steven Van Zandt.

An in-studio tape of band leader Reg Presley's running commentary on a recording session, filled with in-fighting and swearing (known as The Troggs Tapes), was widely circulated in the music underground, and was included in the Archaeology box set, as well as the compilation album, The Rhino Brothers Present the World's Worst Records.

The group infighting is believed to be the inspiration for a scene in the comedy film This Is Spinal Tap, where the band members are arguing. Some of this dialogue was sampled by the California punk band the Dwarves on their recording of a cover version of the Troggs song "Strange Movies".

On This Day 14/08/2005 Beverley Knight

On this day, 14 August 2005 Soul sensation Beverley Knight played Cardiff’s Big Weekend.

Born Beverley Anne Smith, (22 March 1973) an English singer, songwriter, actress and radio personality. She released her first album, The B-Funk, in 1995. Heavily influenced by American soul music icons such as Sam Cooke and Aretha Franklin, Knight has released eight studio albums.

Widely labelled as one of Britain's greatest soul singers, Knight is best known for her hit singles "Greatest Day", "Get Up!", "Shoulda Woulda Coulda", and "Come as You Are".

As Knight grew up in a Pentecostal environment of Jamaican descent, music – especially gospel music – became a staple part of her childhood. She entered the gospel choir of her local church at just four years of age and eventually became the musical director before she left in her late teens. Her musical education continued at home, where her family would often sing together around the piano and listen to music from their favourite gospel and soul artists such as Sam Cooke.

In 2005, Knight revisited her childhood when she hosted Beverley's Gospel Nights, a BBC Radio 2 series exploring gospel music. Featuring interviews with artists such as Shirley Caesar, Percy Sledge and Destiny's Child stars Kelly Rowland and Michelle Williams, the six-part series explored the roots of gospel music and the impact it had upon the black community. Such was the success of the show that a second six-part series was commissioned and began in March 2006 and featured new interviews with artists such as Candi Staton, David McAlmont and Marvin Winans. Knight's interview technique and her ability to get her guests to open up and discuss issues in their personal lives such as domestic violence and depression received favourable reviews and led the Radio Times to comment "Knight's passion for the music is obvious – but so is her warmth, which makes her a rarity among interviewers."

The first artist to make an impact upon Knight was one of the true founders of contemporary gospel and soul music, Sam Cooke. Despite his untimely death in 1964, his music endured and became a staple part of Knight's childhood:

My mother played Sam Cooke and he was the first voice I ever heard on record. His was the first voice that directly had a big impact on me, vocally. He still makes me cry. He'd take the very simple Bible stories that I grew up with and just make them into a two-and-a-half-minute song and yet with an intensity and a passion that the world had never heard before. He really was a major influence on my life.

The impact of Cooke can be seen throughout Knight's career as she has often performed and recorded Cooke classics, the most notable of which is "A Change Is Gonna Come". The track, which came to exemplify the civil rights movement in the 1960s, has featured in many of Knight's live performances (usually with the aid of the London Community Gospel Choir) and she even recorded a studio version with musician Jools Holland, which featured on his Small World, Big Band Volume 2 album.

In September 2005 Knight was presented with an honorary degree from the University of Wolverhampton "in recognition of her outstanding contribution to music and the local community, and in recognition of her extensive charity work." Upon being made a Doctor of Music, she stated she was proud to be black, female, and British, adding: "it is still all me, I have not forgotten my roots."

On This Day 12/08/1995 Hugh Cornwall

On this day 12 August 1995, former Strangler Hugh Cornwall played Cardiff’s Big Weekend.

Also playing that day were, Chumbawamba, The Dharmas. The Underdogs, Fat Barry's Soul Band and Galaxy 101 Showcase feat Danii Minogue + The Spice Girls.

The English musician, singer-songwriter and writer is best known for being the lead vocalist and lead guitarist for the punk rock and new wave band the Stranglers from 1974 to 1990. Since leaving the Stranglers, Cornwell has gone on to record a further ten solo studio albums and continues to record and perform live.

A cricket fan, Cornwell appeared on the Jamie Theakston Cricket Show on BBC Radio 5 Live in 2001. He played a live acoustic version of "(Get A) Grip (On Yourself)" with the then England batsman and guitarist Mark Butcher. Cornwell subsequently became a player with Bunbury Cricket Club, and has been a guest on "A View from the Boundary" on BBC Radio 4's Test Match Special and BBC Radio 5 Live's Yes It's the Ashes.

On This Day 11/08/2013 Misfits

On this day, 11 August 2013, American punk rock band the Misfits played The Globe, Cardiff on their Dead Alive tour. The band had earlier in the year released a live album Dead Alive !

The group was founded in 1977 in Lodi, New Jersey and often recognized as the pioneers of the horror punk subgenre, blending punk and other musical influences with horror film themes and imagery.

Glenn Danzig, who had previous experience performing in local cover bands named the band after actress Marilyn Monroe's final film, The Misfits (1961).

Danzig's first recruit to the Misfits was drummer Mr. Jim and bassist Diane DiPazza, however, DiPiazza never showed up. Mr. Jim was replaced by Manny Martinez shortly after. The two practiced in Martínez's garage, with Danzig on electric piano and Martínez on drums.

The duo soon encountered Jerry Caiafa, who was dating a neighbor of Martínez's and had just received a bass guitar for Christmas. Although he was still new to the instrument, he joined the band; Caiafa and Danzig would remain the only consistent members of the Misfits until the group's dissolution in 1983.

In 2009 and 2010, the Misfits performed an extended 30th anniversary world tour. A new single, "Land of the Dead" was released October 27, 2009, marking the band's first release of new studio material in six years and the only release by the lineup of Only, Cadena, and Robo.

Robo was dismissed from the band in 2010, with Only explaining that ongoing problems with his Colombian passport inhibited the band's ability to tour consistently. He was replaced by Eric "Chupacabra" Arce of Murphy's Law, who had previously filled in with the band for tours in 2000 and 2001.[16] The Only/Cadena/Arce lineup released a new album, The Devil's Rain, recorded with producer Ed Stasium and titled after the 1975 film starring William Shatner. The album was released on October 4, 2011.[19] During the latter quarter of 2011, former vocalist Danzig and guitarist Doyle performed Misfits songs on four occasions as part of the Danzig Legacy tour. The first of the four shows, which took place on October 7 in Chicago, saw a sold-out crowd.

In 2013, the Misfits released their third live album, Dead Alive!. In October, they released a 12" single fronted by a new recording of "Descending Angel", backed by a cover of "Science Fiction/Double Feature", a song they previously only played live. Meanwhile, Danzig and Doyle continued to regularly play Misfits songs and included a set on Danzig's 25th anniversary tour. In October 2013, publisher Rowman & Littlefield published This Music Leaves Stains by James Greene, an unofficial Misfits biography, which tells the story of each incarnation of the band as well as spin-off projects such as Samhain and Danzig.[citation needed] In late 2015, the Misfits released the songs "Vampire Girl" and "Zombie Girl" as a single.